more In 1984, the same year that scholars were gathering at Cornell University to theorise ‘Nuclear Criticism,’ Amiri Baraka was formulating his own version of nuclear futurity in Primitive World: An Anti-Nuclear Jazz Musical. In 1984, the same year that scholars were gathering at Cornell University to theorise ‘Nuclear Cr. This article offers a genealogy of atomic afrofuturism, examining how throughout the cold war period African American artists like Sun Ra, Langston Hughes and Amiri Baraka were exploring the post-apoca. Nuclear Criticism, which lost much of its exigency after the end of the Cold War, needs to evolve to account for the present nuclear era, as its focus on totalities leaves it ill-equipped for incorporating the disparate lived experiences of those who have already experienced the apocalypse and for whom nuclear apocalypse is a repetition or extension of white supremacy's agenda of extinction. Baraka's musical manifests and conceptualises atomic afrofuturism, a historically specific affirmation of black existence that was forged while facing nuclear apocalypse. I am interested in taking working with postdocs on these issues.In 1984, the same year that scholars were gathering at Cornell University to theorise ‘Nuclear Cr. Future work will involve reptile protective coloration addressing the evolution of snake antipredator defenses, and alligator crypsis. I collaborate with Ulli Kloiber, Jonathan Kwiyega and Emmanuel Stephens.ĥ. Practical solutions to conservation problems on mainland Tanzania and Zanzibar: I work with LCMO, a Tanzanian NGO that is involved in conservation education and preventing traditional lion killing in western Tanzania with the Department of Forestry to conserve forests and coconut crabs on Pemba Island, Zanzibar and with Chumbe Island Coral Park, Zanzibar to protect coconut crabs. With Monique Borgerhoff Mulder and I am involved in understanding the conservation ramifications of different forms of forest protection and clove production.Ĥ. Conservation strategies in tropical ecosystems: I am repeatedly surveying subpopulations of coconut crabs on the Zanzibari archipelago collaborating with Rashid Suleiman Rashid, Rahel Sollman and Miza Khamis in order to understand factors that affect population sizes. I work with Manisha Koneru and undergraduates on these issues.ģ. My own fieldwork in Zanzibar on the world’s largest terrestrial arthropod, the coconut crab, is trying to understand the evolution of its red/blue color polymorphism. Additionally, I would like to match crab coloration to ecological variables in order to understand the evolutionary drivers of crab colour diversity. Coloration in crabs: Using behavioural experiments and standardized photography of crab coloration, we are trying to understand the adaptive significance of defence strategies and protective coloration in several intertidal crab species. During 2023, I have worked with Martin How, Natasha Howell, Ossi Nokelainen, Ted Stankowich, Catherine Sheard, and Sandra Winters on these projects.Ģ. In my research I use phylogenetic methods to make comparisons across species (carnivores, suids, artiodactyla, rodents, lagomorphs), sophisticated photographic analyses to comprehend how mammals match their background (giant pandas and black-and-white colobus), and simple experiments putting coats on domestic horses to understand why zebras are striped. Coloration in mammals: I am writing a synthetic book about mammalian coloration combining evolutionary and ecological approaches with underlying genetics and physiology. Tim Behavioral/evolutionary ecologist and conservation biologistĪnimal coloration and conservation Research areasġ. Museum of Wildlife and Fish Biology Staff.College of Agricultural and Environmental Sciences.
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